Monday, November 30, 2015

A Father's day thought.

I realize that this year's Father's Day was a long time ago but I'm interning at Walden Media this fall, and I was researching Father's day stories and was listening to Ira Glass' show This American Life. Something one of the fathers said on the show gave me a vision of the future: singing to your children.

I had this brief little vision of me one day with a baby in my arms singing Jim Hensen's song "The Rainbow Connection" to my child. I almost blubbered right there at my desk in front of everyone.

Monday, March 10, 2014

Fathers

I was in Lincoln Nebraska at Heartlands church with my brother yesterday. A guy who was teaching sunday school went on this brief tangent and said something I felt was really profound.

It is often said that our perception of God as a father is radically shaped by our relationships with our own earthly fathers--be they good, bad, or lukewarm. Usually, when this topic is brought up, it is pretty centered around oneself; examining my relationship with my father and thinking about how to improve or praise that relationship while accomplishing the same thing with God.

However, there is another side to this line of thinking. One day, men like myself will likely become fathers, and the relationship we foster with our children will be instrumental in how they perceive God in their own lives. I don't know about anyone else, but for me, this line of thinking is huge! It's another important layer of responsibility in fatherhood.

I am increasingly amazed by how easily some men enter into the father role without much forethought or consideration of he sheer impact they will have on this new human being. Anyway, I am newly reminded of the gravity of fatherhood and how important it is to approach it prayerfully with a willingness to sacrifice--and with God at your side.

Thursday, January 16, 2014

Some creative work

Here are some links to some creative work I have done.



Videos:

“The Edge” – 9:05, (2014)  This piece is the first narrative short film I have ever made on my own. My role in the production includes writing, producing, casting (including auditions), directing, editing, sound, and color correction. Because I will be attempting to enter it into some local festivals, I have put a password on the video.


[NOTE: password is listed in the document version of the portfolio]

University of Iowa Reel – 2:07 (2013) This short reel reflects the student work I did at the University of Iowa. It is not a very good indication of the overall work as there are only images without sounds for the most part, and sound is a big part of what I do.

Jan and Al – 3:44 (2012) This piece was part of a sound-design class where each group received the same inane script and were charged with developing a different scenario for it. Our group chose “post-apocalyptic.” My credits are as follows: story (adaptation), producer, casting, co-director, camera operator for aerial shot, co-editor, co-sound editor, ADR director, color correction.


Look Out - 11:36 (2012) A short film by my friend Chris Metz. I was the sound designer and sound editor, ADR director. I also was a grip and sound recordist on set.

Dubuque St. Symphony – 7:18 (2011) A “city symphony.” I’m pretty proud of this piece from an artistic perspective. Director, cinematographer, sound, original music (except the piano), editor, color-correction. Edited using the AVID.
Minutelife – 1:09 (2011) A 60 second “biopic” covering a day in my life in Iowa City. Like the “Dubuque St. Symphony,” I am really proud of this piece from an artistic point of view. I had a cheap camera which I kept with me all day while filming. I am responsible for all aspects of production including the original music.
Fun with ADR - 5:19 (2012) An instructional outtake reel of sorts. This video features footage and sessions from the “Jan and Al” video above. It is meant to display the role of ADR in a production, as well as show the amount of work that goes into just one line of dialogue with ADR.
Dance at the University of Iowa - 10:04 (2012) A promotional behind the scenes video for the Dance Department at the University of Iowa. It is shot in the Verité style.

Somehow It Is Precious - 7:00 (2012) An experimental narrative short. I am really really proud of this script. Writer, director, producer, camera, casting, sound, editing.

Screen Memories - 4:11 (2010) My final project in my first semester. I really like the script. The piece also looks pretty good all things considered.

Bran and Park - 3:54 (2010) The single greatest learning experience I have had on a project. Every “modes” class produces a version of this script, where they develop a scenario and adapt it. I was the producer on this project.

We're not gonna lie – 21:44 (2010) A making-of piece covering the production of the “Bran and Park” video above. I include it here because it features me at work as a producer for this project (I did not help produce this video itself).

One-shot - 1:16 (2010) The first video I ever made. I have reproduced this camera move a few times since then with great success. There is 10 seconds of black before the video starts.




Decorah TV News:      

The following are selected links to videos created for http://www.decorahtvnews.com/ a local news website. Make sure you view the first video even if you skip the others. J

Last Word on the Winn Co. Fair  - Camera and editing by Cade Loven

Local Short Film  - Camera and editing by Paul Scott…but the story is about me and my short film The Edge…yay!

Garbage goes no matter what  - Camera by Cade Loven, edited by Paul Scott

Impressions from “Talking Trees”  – Camera and editing by Cade Loven

K’unn Coffee 1  - Camera and editing by Cade Loven

Sportbrands.us  - Camera and editing by Cade Loven

A Healthier You – Winn Co. Public Health Pt 1  - Camera and editing by Cade Loven

Luther College Dining Services  - Camera and editing by Cade Loven

A Healthier You – Luther College Pt. 1  - Camera and editing by Cade Loven

Recycling 1  - Camera and editing by Cade Loven

American Dolls at the Library 1  - Camera and editing by Cade Loven

Open Decorah Interview 2  - Camera by Cade Loven edited by Cade Loven

Thursday, July 25, 2013

Nostalgia at the Magpie

This afternoon I dropped by Magpie Coffeehouse for some coffee and a cookie. The place has a lot of meaning for me as I had gone to Bible studies there for three years and then worked there for three years. I met some of my best friends there.

It was Nordic Fest weekend, and the 'Pie was close to closing time. When I walked in, there was only one other customer: my old friend and Magpie customer Mike Blevins. We sat and chatted about nice things.

Soon, the Coldplay song "The Scientist" came on and Mike and I started singing the song. "The Scientist" was a quintessential song for the Magpie. It always conjures of visions of my old friends who I miss a lot and the many late-night conversations we had after we closed the shop. After relating this to Mike, I mentioned that I have come to realize that my Magpie experience taught me an important lesson: I will probably be nostalgic for every period of my life and I need to recognize that I am building the pieces of these beautiful memories--and have the presence of mind to realize how precious they are while they are happening. Upon appreciating the present moments in their fullness, it is then possible to remember them in a healthy way.

At this point, Mike and I raised our coffee to The Magpie, "as it was, and as it will be."


Saturday, June 08, 2013

What is worship?

William Temple's definition of worship:

"Worship is the submission of all our nature to God. It is the quickening of conscience by His holiness; the nourishment of mind with His truth; the purifying of imagination by His beauty; the opening of the heart to His love; the surrender of will to His purpose--and all of this gathered up in adoration, the most selfless emotion of which our nature is capable and therefore the chief remedy for that self-centeredness which is our original sin and the source of all actual sin."


--William Temple, Readings in St. John's Gospel, vol 1 (London: Macmillan, 1939), 68. As quoted in Rory Noland, The Heart of the Artist (Grand Rapids: Michigan, 1999), 210

Monday, April 08, 2013

R.I.P Roger Ebert



April 4th, 2013,

This morning I was reading a post from Roger Ebert's blog entitled "A Leave of Presence" which he posted a few days ago. In it, he explained that after his hip fracture in December 2012, his doctors discovered that he had cancer again. He told his readers that he would be reducing his load of reviews due to his ill health--limiting them only to the movies he was actually interested in reviewing. He said that he was going to launch a new version of his site etc. He thanked his readers for their attention and affection. He said "see you at the movies."

I wondered if he was going to die soon.

A few hours later at work, I found out he died had died this afternoon.

Ebert was one of those figures who made it clear for me the devide that stands between some well-known people and those who admire them: "he is my friend, even though we have never met." In this way, Ebert was a friend of mine; a friend with whom I nerded out and held voracious arguments on a regular basis. We shared a love for the movies, even if we did not agree all the time. He was, in a way, the first guy I called if I was going to see a film.

I started reading Ebert around 2001 when I was maybe 14 years old. I believe I was searching for reviews on Edward Scissor Hands. I figured that the guy who did the "thumbs up" thing would be a good place to start. I have habitually and eagerly read his reviews ever since and perhaps it is safe to say that his views have affected some of my taste in films.

One does not have to agree with a critic to find value in their statements. But with Ebert, I read him so often that I had a clear picture of how I would like a movie just based on what Ebert said about it--regardless of whether he liked it or not.

I appreciated the fact that Ebert often wrote from all manner of directions depending on his mood. Sometimes he wrote from the gut (his best reviews) and other times, he simply recounted what he saw and allowed readers to decide. He often attempted to write reviews based on the target audience's perspective. That is, if he was writing a review for a silly action flick, then he would assume that the reader enjoyed those kinds of films and discussed it based on what he perceived to be the criteria for enjoying those kinds of films. There is something to be said for this kind of hat-switching as a viewer.

I never had the chance to see his iconic television show with the late Gene Siskel and later on, Richard Roeper. I would certainly have liked to, but he was long done with the show by the time I was cognizant enough to make viewing choices on my own or otherwise develop an appreciation for his reviews. I've heard it was wonderful.

Ebert was also a good writer period. I found myself reading books he had written that were always about movies, and I relished them. I ate up his innumerable anecdotes about Hollywood--a world which he loved--and Cannes--a world which he also loved. He just loved the movies and was well aware that his readers did also.

After Ebert lost his lower jaw to complications with his first bout of cancer, I really thought he was done writing. I personally felt a measure heroism toward him when he appeared in Esquire magazine with full on, unflattering photos showing how disfigured he had become. I feel like he was an emblem of the strength to carry on with life after disfigurement--enduring looks of curiosity and discomfort in order to be out in public where he loved to be. It turns out, one does not have to be able to speak in order to speak out. Ebert loved movies and he probably needed money. So, he kept writing reviews.

In fact he wrote more material per annum after he lost his jaw than he did before, according to his last post on his blog. He embraced the social media and blogosphere as his outlet now that he had lost the power of speech. He was apparently an avid Twitter user and posted great articles and essays on his blog--many of which were quite personal (a generous thing to do for his fans). I believe he just wanted to get his voice out there as much as he could in the only way that was now possible.

Did I mention that Ebert displayed a great attitude about all of this? An amazing example to anyone in that regard.

Of course, Ebert was quite left-wing and often hostile toward Christianity. I felt slighted by many of his statements on these issues, but I shook my head as I must do with so many of my friends and family who share Ebert's beliefs. Hurt feelings were often a small price to pay.

What was more upsetting was the idea that Ebert was always wrestling with deeper spiritual meanings and truths behind his musings--a struggle I completely identify with. I too have many doubts, but I too have a thirst for truth, and that thirst has led me on a much different road than Ebert took. I hope, as I do with everyone, that Ebert may have considered turning to God in the end. Who knows? Only God has any true knowledge of what lies in our hearts.

Well Roger Ebert, you were a good though distant friend, even if you never knew me; A true companion during one of my favorite things on this blue earth--going to the movies.

Here's looking at you kid.

Thank you too.


Wednesday, March 27, 2013

Some thoughts on "The Grey"

I was awestruck at the ferocity and efficient brutality of the wolves in Joe Carnahan's superb 2012 film, The Grey. I was devestated every time a character would meet his demise. It was truly man vs. wild--"this time it's personal." I felt so cold when I saw the ice hanging off their faces. I felt as helpless as these characters in the face of their grim fate. I wondered, would I be a survivor? Would I be brave? Would I even know what to do? Would I resist the leadership of a man like Ottway? Would I question God the way Ottway does?....do I question God already for much worse reasons? As I was saying, the themes of this film lead to a place where *spoiler-blah-blah-blah* man is left alone, his friends killed, his body broken, his life destroyed--in a brutal, careless, meaningless, godless world. Man calls out to God, "where are you? Do something! Show me something real! Earn faith! Not later, now!" It's a startling cry and a sobering bargain. God's silence in that scene is indicative of many people's experience when presenting supplications to him. "Do this for me, do that for her, save the life of this person, protect that person" etc.; only to be met with seemingly no answer at all. I do not share the meaning Ottway attributes to God's silence ("fraudulent mother-f----r"), but I can share his frustration. These days I often find myself calling God out on the madness of his plan and the non-sensical way he goes about things. But therein lies the same problem which Ottway exudes: a supreme and unfounded arrogance. If I cannot wrap my brain around something; if it does not make sense to me; if it is not playing by my rules; if I cannot figure it out, sum it up, or comprehend it, then it must not be real and it must not be God and I will spit it out. I have since come to realize that the Kingdom of God as I believe it, is not a democracy. God is a king; a true king. A king is someone who inherently has authority....he has it. No one gives it to him, no one appoints the king...he is king because he has the authority. What he says...is so. In the world, we have also have democracies--where the people can theoretically depose their king without war. In our monarchies we also have kings who can be deposed, but only through bloodshed or abdication. But neither of these are examples of true kings. The God-king cannot be deposed, nor will he consult his people; he speaks and it is so. I have to admit that this view of God produces a measure of fear in me. This is because I literally have no control over what happens to me if God is in charge. Here is the good news however: God, the only true king...is a good one. Yes, any sane person ahs to admit as The Grey, and so many countless life experiencs have shown, that our lives are filled to the brim with heartache, pain, and dread. Why exactly does the good, loving God allow this? Well, the simple aswer is this: because life (my life, your life) is about him. Whatever brings God glory is what goes ultimately. Whatever gets us united with him is what he strives for. Furthermore, I have come to understand that the idea of being free from suffering is un-godly anyway, because God himself suffers! He suffers grief, rejection, heartache, physical pain, and longing for us. That is part of his character, his nature; but above all, the story he is writing is one of restoring what was destroyed, reuniting what was seperated, returning what was lost, and ressurecting what was dead. I may have issues with God's methods for how he goes about reaching us, but I am slowly giving up my "right" to understand things and instead, I am learning the value of submission. I have no doubt that I will face troubles and I too will suffer as so many have and do around the world. I have no idea what the extent or scale of those trials, but I am certain that they will come, and I pray to God that he will give me the strength to endure what is to come.


Once more into the fray. Into the last good fight I'll ever know. Live and die on this day. Live and die on this day.